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He Is Born flute solo with accompaniment
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Vous avez sélectionné:
He Is Born flute solo with accompaniment
Partitions à imprimer
12 partitions trouvées
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1
He Is Born - Flute Solo with Guitar Chords
He Is Born - Flute Solo with Guitar Chords
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Flûte traversière
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FACILE
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Noël
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Traditional French Carol
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Lynette Auberjeunois
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He Is Born - Flute Solo with G
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Flute Files Publishing
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SheetMusicPlus
Flute Solo - Level 2 - SKU: A0.1307933 Composed by Traditional French Carol. Arranged by Lynette Auberjeunois. Chamber,Christian,Christmas,Contest,Festi...
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Flute Solo - Level 2 - SKU: A0.1307933 Composed by Traditional French Carol. Arranged by Lynette Auberjeunois. Chamber,Christian,Christmas,Contest,Festival,Traditional. Individual part. 4 pages. Flute Files Publishing #897222. Published by Flute Files Publishing (A0.1307933). He Is Born flute solo sheet music with optional guitar chord accompaniment. Traditional French carol arranged by Lynette Auberjeunois for late beginner/early intermediate level. Digital download includes a one page flute solo in the key of C. Range: G1 to A2. Published by Flute Files Publishing (CH52-1030B).
$1.99 ≈
1.86€
He Is Born - flute solo with accompaniment
He Is Born - flute solo with accompaniment
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Flûte traversière
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Noël
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18th century French carol
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C
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He Is Born - flute solo with a
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SheetMusicPlus
Composed by 18th century French carol. Arranged by C.E. Walz. Christian, Sacred, Christmas. Score, Solo Part. 6 pages. Published by Published by C.E. Walz (S0.2...
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Composed by 18th century French carol. Arranged by C.E. Walz. Christian, Sacred, Christmas. Score, Solo Part. 6 pages. Published by Published by C.E. Walz (S0.286123). - Score,Solo Part - Christian,Sacred,Christmas - Published by C.E. Walz
$4.50 ≈
4.20€
NOEL: Bethlehem's Child -MP3 Accompanment track without BKG vocals
NOEL: Bethlehem's Child -MP3 Accompanment track without BKG vocals
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Deborah Johnson
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info
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NOEL: Bethlehem's Child -MP3 A
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Deborah Johnson
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SheetMusicPlus
Level 2 - SKU: A0.1110623 By Deborah Johnson. By Deborah Johnson. Christian,Christmas,Classical,Folk,Holiday. Accompaniment. Duration 273. Deborah Johns...
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Level 2 - SKU: A0.1110623 By Deborah Johnson. By Deborah Johnson. Christian,Christmas,Classical,Folk,Holiday. Accompaniment. Duration 273. Deborah Johnson #712925. Published by Deborah Johnson (A0.1110623). This arrangement presents a beautiful rendition of the song Noel: Bethlehem's Child, composed by Deborah Johnson. It features a combination of a solo and chorus, accompanied by a string trio and a flute, adding a rich and harmonious musical element to the song. The song is one of the tracks from the album Merry Christmas Too. This is the downloadable MP3 accompaniment track without background vocals.The lyrics of Noel: Bethlehem's Child narrates the story of the birth of the Christ child in Bethlehem, where He is born in a humble manger among animals, heralded by angels, and visited by kings. The song captures the essence of this significant biblical event and the profound meaning of Christmas. This versatile arrangement can be performed as a solo or as a duet, complemented by a 2-3 part chorus and a small instrumental ensemble. Its medium difficulty level ensures that it is accessible to a wide range of musicians, making it suitable for both seasoned performers and those looking to enhance their musical skills. This flexibility allows for a variety of performance options, making it adaptable to different musical settings and ensembles. The chorus part is designed to be easy to learn, making it an ideal choice for choirs or singers looking to incorporate a heartfelt and meaningful piece into their repertoire. Noel: Bethlehem's Child is not only a beautiful musical composition but also a powerful retelling of the Christmas story, making it a wonderful addition to any holiday performance or worship service. The fulll downloadable score is also available. Full song download on Spotify: https://open.spotify.com/track/18A2mEKJS5XXfGW7iPYuE9 More information here: https://djworksmusic.com/bethlehems-child https://djworksmusic.com/products/ for physical albums & info. Twitter: @DJWorksMusic; Instagram: Deborah_johnsonmusic Like our Facebook page: https://www.facebook.com/deborah.johnson Get weekly updates & articles here: https://goalsforyourlife.com/newsletter Noel: Bethlehem's Child is written, performed and arranged by Deborah Johnson, included on the album Merry Christmas Too. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. She has also appeared with the headliner piano/vocal duo Double Grande. Also the author of multiple books, her music has been up for multiple Grammy Awards. Production, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson and Tom Keene; Bass Guitar: David Coy; Drums: Dave Spurr; Guitars: John Hunt; Flute: John Reilly; Strings: Living Strings. Recorded at: Tor-Wood-Lea Recording Studios, Engineered by Tom Keene. Bass/Strings Recorded at: A to Z Studios, Engineered by Tim Jaquette. Mixed at: ETC Studio A, Tim Jaquette; Album Mastering: Bernie Grundman.
$8.99 ≈
8.39€
Let All Mortal Flesh Keep Silence - Flute solo
Let All Mortal Flesh Keep Silence - Flute solo
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Brian Buda
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Brian Buda
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Let All Mortal Flesh Keep Sile
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budaful music
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1038721 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 8 ...
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Flute,Piano - Level 4 - SKU: A0.1038721 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 8 pages. Budaful music #643710. Published by budaful music (A0.1038721). This haunting tune, arranged for piano and solo instrument, tells the awe-inspiring Christmas story of God becoming man. It is perfect for Advent/Christmas concerts, programs, recitals, and offertories. It runs approximately at 3:24. This PDF includes a 5 page accompaniment part as well as a 2-page flute part. Lyrics from Hymnary.org: Let all mortal flesh keep silence, and with fear and trembling stand; ponder nothing earthly minded, for with blessing in His hand Christ our God to earth descendeth, our full homage to demand. King of kings, yet born of Mary, as of old on earth He stood, Lord of lords, in human vesture - in the body and the blood. He will give to all the faithful His own self for heavenly food. At His feet the six-winged seraph, cherubim, with sleepless eye, veil their faces to the Presence, as with ceaseless voice they cry, Alleluia, alleluia! Alleluia, Lord most high! SoundCloud: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence Practice with an isolated piano accompaniment track: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence-accompaniment-track.
$3.99 ≈
3.72€
Minuet from String Quartet, Op 7 - For Solo Flute
Minuet from String Quartet, Op 7 - For Solo Flute
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Flûte traversière
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INTERMÉDIAIRE
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Leopold Aimon
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Steve Murray
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Minuet from String Quartet, Op
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Steven H Murray
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SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.976132 Composed by Leopold Aimon (1779-1866). Arranged by Steve Murray. Concert,Romantic Period,Standards,World. Individu...
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Flute Solo - Level 3 - SKU: A0.976132 Composed by Leopold Aimon (1779-1866). Arranged by Steve Murray. Concert,Romantic Period,Standards,World. Individual part. 10 pages. Steven H Murray #1909773. Published by Steven H Murray (A0.976132). AIMON, PAMPHILE LEOPOLD FRANÇOIS, violoncellist and composer, born at L'Isle, near Avignon, 1779; conducted the orchestra of the theatre in Marseilles when only seventeen, that of the Gymnase Dramatique in Paris 1821, and of the Théâtre Français, on the retirement of Baudron, 1822. Of his seven operas only two were performed, the 'Jeux Floraux' (1818), and 'Michel et Christine' (1821), the last with great success. He also composed numerous string quartetts, trios, and duos (Paris and Lyons), and was the author of 'Connaissances preliminaires de L'Harmonie,' and other treatises. ***mp3 file of piano accompaniment of this arrangement is offered free of charge. After purchase, contact seller with your request and return email address. Period: Romantic .
$5.00 ≈
4.67€
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95 ≈
15.81€
O Come, O Come, Emmanuel: A Christmas Cantata in eight movements
O Come, O Come, Emmanuel: A Christmas Cantata in eight movements
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Bennett Rabiega
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Bennett Rabiega
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O Come, O Come, Emmanuel: A Ch
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Bennett A Rabiega
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288208 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Re...
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Chamber Orchestra - Level 4 - SKU: A0.1288208 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Religious. Score and Parts. 273 pages. Bennett A Rabiega #863238. Published by Bennett A Rabiega (A0.1288208). This is a Christmas cantata in 8 movements based on the classic hymn O Come, O Come, Emmanuel and prophecy on the coming of the Messiah from the book of Isaiah. The piece is composed for SATB choir, soloists, and an orchestra of 1 Flute, 1 Soprano Saxophone, 1 Trumpet, 1 Trombone, Violin I, Violin II, Viola, Cello, Piano, Acoustic Guitar, Bass Guitar, and Drums). A reduced orchestration is available, as is a vocal score with piano accompaniment. This is the full orchestration, including the vocal score and all instrumental parts. 1) Prelude (instrumental) / 2) Interlude: A Shoot Will Come Out / 3) He Will Delight / 4) Interlude: Therefore, The Lord Himself / 5) Unto Us A Child Is Born / 6) Interlude: Of The Increase / 7) See, I Lay A Stone In Zion / 8) O Come, O Come, Emmanuel (Finale)
$249.95 ≈
233.21€
Adagio de la Symphonie en Ré
Adagio de la Symphonie en Ré
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Flûte traversière et Piano
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Classique
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Franz Joseph Haydn
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Louis Fleury
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Adagio de la Symphonie en R&ea
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Schott Music - Digital
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SheetMusicPlus
Flute and piano - intermediate to advanced - SKU: S9.Q53374 (Nr. 24). Composed by Franz Joseph Haydn. Edited by Edmund Wachter and Elisabeth Wein...
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Flute and piano - intermediate to advanced - SKU: S9.Q53374 (Nr. 24). Composed by Franz Joseph Haydn. Edited by Edmund Wachter and Elisabeth Weinzierl. Arranged by Louis Fleury. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 5 pages. Schott Music - Digital #Q53374. Published by Schott Music - Digital (S9.Q53374). English • German.Joseph Haydn wrote his Symphony Hob. I:24 in D major in 1764, when he was deputy music director in the service of Prince Nikolaus I. Esterházy, before his appointment as Director of music in 1766. In the second movement, Adagio, the flute plays a cantabile solo melody, sparingly accompanied by orchestral strings. This movement sounds as though it were from a flute concerto, readily suggesting an arrangement for flute and piano. This arrangement is by flautist Louis Fleury, who was born in Lyon; at the age of fifteen he moved to Paris, where he spent the rest of his life. After studying with Paul Taffanel he decided upon a career as a freelance flautist – a very unusual choice at the time. Fleury rediscovered early music and commissioned new music, too: Debussy’s , for example, was dedicated to him. Through the publication of several essays Fleury made a significant contribution to the acceptance of the flute as a fully fledged concert instrument in the 20th Century. Plate no. 29512 / published in 1912.
$3.99 ≈
3.72€
The Vampire: A Dramatic Theme
The Vampire: A Dramatic Theme
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 ...
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Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99 ≈
3.72€
Three Sacred Songs: 1. The Round Day (Downloadable)
Three Sacred Songs: 1. The Round Day (Downloadable)
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Chorale SATB
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Derek Healey
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Three Sacred Songs: 1. The Rou
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, flute and piano (ad lib.) - Moderately Difficult - SKU: MQ.7540-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music C...
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SATB choir, flute and piano (ad lib.) - Moderately Difficult - SKU: MQ.7540-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7540-E. Published by E. C. Schirmer Music Company - Digital (MQ.7540-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.” The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).
$1.95 ≈
1.82€
Three Sacred Songs: 3. Magdalene (Downloadable)
Three Sacred Songs: 3. Magdalene (Downloadable)
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Derek Healey
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Three Sacred Songs: 3. Magdale
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - SKU: MQ.7542-E Composed by Derek Healey. Instrument part. 13 pages. E...
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Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - SKU: MQ.7542-E Composed by Derek Healey. Instrument part. 13 pages. E. C. Schirmer Music Company - Digital #7542-E. Published by E. C. Schirmer Music Company - Digital (MQ.7542-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.” The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).
$2.25 ≈
2.10€
Three Sacred Songs: 2. The Shepherd Lad (Downloadable)
Three Sacred Songs: 2. The Shepherd Lad (Downloadable)
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Derek Healey
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Three Sacred Songs: 2. The She
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - SKU: MQ.7541-E Composed by Derek Healey. Instrument part. 9 pages. E....
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Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - SKU: MQ.7541-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7541-E. Published by E. C. Schirmer Music Company - Digital (MQ.7541-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.” The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).
$1.95 ≈
1.82€
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He Is Born flute solo with accompaniment
